Body Art Rocks Conference

I have just spent three full on days photographing the Body Arts Rocks Conference 2014 which was organised by BodyFX .

The event was held over three days at the Dowse Museum in Lower Hutt and it consisted of a range of workshops and competitions. I met with Nicole a couple of weeks before to go over the draft agenda and to try to plan what was needed and also where I could set up studio lights. The intention was that I would cover the workshops to document to event, as well as providing professional images of the finished looks in the competitions.

Shooting in the Dowse proved to be quite a tricky exercise as each of the four rooms that were being used had completely different light levels ranging from lots of natural light to non. They also ranged in size.

I had taken my D600 and D90 cameras with me and initially had speedlights fitted to both. The D90 was originally intended to be there as backup. The initial shots with the bare lights were too harsh so I fitted the Rogue Diffusion Panel to the light mounted on the D600. After the first shots in each of the rooms it became apparent that I didn’t need the flash in Room 4 and rather than keep swapping setting I set up the D90 for that room only.

As I have found that TTL metering with flash is not that accurate I set the flash to full power and then altered the camera setting. On the first day I played with the ISO between the rooms with mixed results but by day two I had a solid set of combinations of aperture and ISO that I knew would work in each room and also depending upon how close the subjects were too me. My aim with the shots was to get fairly close to a correct looking exposure as I knew that I could adjust it in post. I wanted a very quick turnaround of the image though so I made sure that the adjustments would be minor.

With the documentary type shots I moved from workshop to workshop and tried to record not only what the presenter was doing but also the participants.

By the Sunday I had built up a good rapport with a number of the attendees as well as a few of the models so when the time came to record the progress of the body painting competition everyone was comfortable with me being around.

I was told that BodyFX had experienced some issues with photographers in the past supplying images in a timely manner. So I made sure that this would not happen and the images from each day were processed that night and delivered the next day.

I have received quite a lot of praise for the shots that were delivered which was very pleasing. It was an enjoyable but very tiring three days.

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Hell Pizza sponsored the Friday night dinner so I was asked to ensure we got some shots they could use.
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The finished Zombie makeup
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Hannah looks stunning after Yolanda has finished airbrushing her makeup on
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Contestants in the Beginners Face painting competitions work. They had 45 minutes to create something.
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The winning look in the Advanced Facepainting competition
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Julian applies mud to the models hair in order to create the zombie skull
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Nick Wolfe demonstrates how to create a monster skull
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Emily Walker with her stunning creation on Hannah that won the body painting competition
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The flat earth was the inspiration of this painting by Karen Havican
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A close up of Hannah’s headdress
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Nick Wolfe paints up the prosthetic that he added to his model in the showcase
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A close up of Stacie’s face.
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The four contestants in the Extreme Makeup competition. The artist had 2.5 hours to produce this look. Third from the left was the winner.
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Julian from BodyFX ran a fund session on communication
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Amazing looking wounds created from Nicole Heydenrijk’s class on Gells
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Nick Wolfe and the two models he painted in his first session
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Annie Reynold from Australia demonstrates how to create advanced butterflies
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Lace inspired masks
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Nick produced some very intricate designs
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One of the workshops centred around half face animal designs and was run by Christy Lewis.
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The detail in the body painting was very impressive
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The makeup room was full on for the whole 5 hours that the artists had to work.
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Contestants in the Beginners Face Painting competition
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Annie applies finishing touches to a makeup that also included gems
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Models compare looks
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Nick turned Tom into the terminator in around 5 minutes.
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Families visiting the Dowse on Saturday also ended up being painted.
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Working through the Extreme Makeup competition
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Dan applied most of this makeup to himself.

Palmer Head – Bride with Blue Skies

The second outfit that Kristara and I shot at Palmer Head was a old style lace and satin wedding dress. I bought it some time ago for a “trash the dress” shoot but it ended up not being used. Rather than shoot inside the building this time we shot outside starting with the backdrop of the graffiti walls and then on one of the roofs. The latter location enabled me to bring in a more natural background to the shots.

The days turned out very fine and the shoot was a great practise session for the upcoming wedding session as we ended you shooting at around 1:30pm under blue skies. As such it is was fairly typical of the sort of days that most brides actually want. Ideally I could have done with an assistant to help out as in a number of shots I really could have used a reflector to bring up some of the shadows. Still on wedding days you have to make do with what you have.

Kristara was very brave moving round the site in 6 inch heels, and I think that she real enjoyed herself. The wind came up a little during the shoot and we were able to use it for some advantage to billow out the long train on the dress.LR_Kristara-17 LR_Kristara-19 LR_Kristara-25 LR_Kristara-26 LR_Kristara-29

Return to Palmer Head – Victorian Inspiration

Ever since I did the shoot with Megan at Palmer Head I had wanted to return there and try out some different concepts. Kristara and I had planned to shoot at the start of the year but somehow never managed to lock in a date when either our schedules or the weather could align properly. With time on my hands we managed to arrange a shoot for a Friday afternoon.

I wanted to go with two quite different looks. The first I wanted to utilise a homemade outfit that looks very Victorian. I thought that this contrasted nicely with the fact that Kristara has piercings and dreadlocks. Kristara added a set of goggles for a steampunk sort of look.

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The initial test at full power

I planned on shooting inside of the gun emplacement and to add an extra dimension brought an old style lamp in which I has placed a speed light covered in an orange gell. The first shot the speed light was set to quite a high power and while it produced the desired effect it was real too bright. So the flash was wound back a little and the following image was produced.

Light solely from the flash in the lamp

While the  shot worked there was too much falloff in the light and so I positioned a second flash in a bounce umbrella to my right and then played with the positioning and angle of it until it only provided a level of fill and did not over power the colours I was looking for.

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We did run into a major issue with the light in the lamp in that something kept creating a circuit that caused it to fire randomly. I suspect that it was something to do with the metal of the lamp. I managed to get enough good shots but it was frustrating.

For the final shot we moved into the main chamber of the complex that would have housed the actuals guns and I shot Kristara looking out. This is actually a composite of two images with one being exposed for her and the other for the outside, as there was two much difference in the light levels to handle in a single exposure.

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Sunday in the park

For the last five weeks I have been taking a break from work and so I thought that I would be able to fill the spare time with photoshoots rather than being restricted to the weekend. As it turned out it did not pan out quite as planned and most of the shoots I have got in have been on the usual days.

Rebecca approached me some time ago to see if I would do a shoot with her and I agreed I would. She then mentioned that she would also like to include her daughter as well.

When I found out that they lived in Masterton it was decided that we would shoot in a location around the Hutt Valley rather than travelling into Wellington. As the weather was not looking promising I decided to use Percy’s Reserve in Lower Hutt as I knew that it gave us both open space and also some covered areas should the rain start.

Rather than go for a strictly high fashion model look, I decided to produce a series of images that would fit well into the family type shoot. The images below are mainly shot using natural light with an off camera flash providing a little fill.

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I thought that the gaps in the stone wall provided interesting framing for the two.

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Honours for hanger image

Last night was the third round of the club competition and I entered a slightly modified image from the one taken in my previous post.

I was really pleased when the judge made very favourable comments about it and it was awarded “honours”. Makes the sole process worthwhile.

This is the final image that was submitted.0218_L3_O_HangingAround_Small

A day at the Salon

One of the things that I firmly believe in is if someone helps you out then you should return the favour. Tiffany Williams, who is the makeup artist who helped me out on the Book Queen series, works at Tawa Hair Salon. They wanted to do a series of shots that promoted what they could do and I was more that willing to help out. The images from the shoot were intended to be used both on Facebook and in print.

Setting up for the shot. In the end the beauty dish was not used.
Setting up for the shot. In the end the beauty dish was not used.

So last Sunday I ended up at their salon for the shoot which consisted of three female and two male models.

Taking photographs of hair dressing is quite tricky. While it is simplistically a portrait you are trying to bring out the details in hairstyles and this can present an issue depending upon the colour of the hair.

The original intention was to shoot each model on a number of backdrops so I set up a white, blue and multi-colour backdrops in such a way so it was a simple matter of changing them. This would enable them to use the same image in different setting. As it turned out the white background was the only one suitable for all models.

This pullback shot shows the position of the hair light.
This pullback shot shows the position of the hair light.

I used a simple two light setup. My main light was slightly to camera right and was in a 1×1 metre softbox. A second light was fitted with a small gridded reflector and mounted on the end of a boom arm. This was then positioned either above or on the opposite side of the model to bring out the highlights in the model.

I did experience some issues with my gear early in the shoot and there was a couple of minutes of panic as the camera refused to fire. Fortunately it resolved itself however it did reinforce the need to ensure that you have back of key gear available.

I am quite pleased with the results and I hope that the client is as well.

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The Book Queen

The paper queen
The paper queen

For some time now I have been mulling over a concept that involved a model and a lot of books. Fortunately each year Heretaunga Rotary Club hold an annual book fair and my wife and I help out. Through this process I was able to grab six boxes of books that were either too old or in too bad a condition to be sold, and therefore were destined for scrap.

Tiffany starts the process of attaching the paper
Tiffany starts the process of attaching the paper

The books sat in my garage for a couple of months while I tried to come up with the idea. Eventually the concept emerged of a person who was so engrossed in the books that she became part of them. I had seen an image of a girl covered in print and so I showed it to Tiffany Williams who is a very talented makeup artist. Once she agreed to come on board we set a date and I cast for a model. My call was answered immediately by Grace who I have worked with on a number of occasion as a makeup artist but this was to be the first time as a model.

The paper is almost complete
The paper is almost complete

I had initially envisaged that we would cover her whole body in the print but then decided that only her upper body was needed in this way and that I would make a skirt to cover the lower half. I made a simple skirt out of calico and then glued pages from an encyclopaedia to it. In order to create the look of a library I moved a bookcase   into our entranceway so that it could line up with another one that we already had there.

We made up a simple paste out of flour and warm water and Tiffany spent the best part of an hour gluing strips of paper to Grace. While she was doing this I built a throne out of the books and fashioned a crown.

The images came out pretty much how I had envisaged them. In photoshop I fixed up and extended the backgrounds to come up with a selection that I really liked. A couple of them will now be entered into upcoming photographic competitions.

The fall
The fall

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Late for the Ball

Late for the Ball_SmallSome times the inspiration for a shoot seems to come from random events. A couple of months ago I saw a box of old patterns in a book sale and bought them. My wife had been talking about using them to cover other objects and I instantly thought that it would be quite cool to make a dress out of them. My daughter then dashed my plans by telling me that patterns generally only contains half of a side because you folded the fabric in half to produce the whole piece.

Knowing that it would be difficult to completely cover a model in a single pattern the concept emerged of a girl that had run so late for the ball that they were literally trying to sew the dress around her.

Posing with the Black & White lingerie set
Posing with the Black & White lingerie set

Rather than post a casting call I approached a model (Suzie) and makeup artist (Crystal) who had both expressed interest in working with me. I had coffee with Crystal to go over the details of the shoot because I knew that hair & makeup would be quite unusual from what she had normally done for photoshoots. I knew that I would be compositing the body but I wanted the face to be from a single image. This meant that I wanted one side to be completely made up while the other was bare.

I sent a photo of Suzie and the dress to Crystal and left it up to her to come up with appropriate makeup. I did want to be slightly theatrical with the look in that I wanted large style rollers in the hair.  Crystal informed me that such things are not really used anymore but what is used really didn’t work with the look anyway.

The studio I had booked for the day is in an old house so I knew that I wanted to use the room as is. I collected a number of props from home (some under strict instructions from my wife such as her dressmaking scissors were not to be used to cut the patterns) and staged it to look like a sewing room.

The final selected pose
The final selected pose

Suzie had brought a number of sets of lingerie so that we could see what they looked like under the patterns, which were attached to her with double sided tape.  We selected one red and a black/white combination to try out. We started with the red set.

I had decided that the way we were going to shoot it was to do the patterns first and then the dress. I was shooting tethered into lightroom which meant that we could see a larger sized image than on the back of the camera.

Suzie took up different poses and once we had them I went through and selected which one I liked the best. Suzie then got changed into the other lingerie set and we shot a few images based around the poses we liked the best from the first series.

Wearing the dress
Wearing the dress

After looking at both sets it was apparent that the red lingerie set produced a much stronger look.

Suzie then put on the dress and we concentrated on getting as close to the chosen pose as possible. Lightroom made this a lot easier as we were able to compare the two images side by side. With the help of Crystal checking the images it did not take long before we had what I thought was a reasonably good match.

Once I had the images loaded on the home computer it was a simple matter of bringing them both into a single file and masking out. I increased the saturation in the lipstick and painted Suzie’s finger nails.

It was quite a fun shoot where pretty much everything went to plan. Thanks to Crystal and Suzie for their assistance in bringing this together.

 

 

Just Hanging Around

The finished image

The original inspiration for the shoot by Alessandra Favetto.
The original inspiration for the shoot by Alessandra Favetto.

Last Sunday I has a full day in a Lower Hutt studio to produce images that will be entered into national competitions. The first was inspired by an image I saw in the July issue of F11 magazine by Italian photographer Alessandra Favetto.

I has long held the view that models are often treated as mere clothes hangers, and so I knew that I could use the image as a base. However I wanted to have more than one person in the final image and to have the models hanging from a rack of some sort.

I posted the image in a modeling Facebook group and as I suspected got an immediate response. While I had initially thought that I would cast three models I ended up selecting five. Past experience from shoots had taught me that it was unlikely all five would make it to actual shoot day.

I also knew that the shot could be something that required assistance so I managed to elicit the help of fellow photographer Alan Raga.

As I suspected would happen, in the week leading up to the shoot one model discovered that the timing clashed with a family event and a second one sprained her wrist and ended up in plaster. A third model then failed to respond to any of the communications sent out in advance of the event, and simply didn’t show up on the day. This was exactly the issue that I had spoken about in my recent blog post on “Tips for models“.

The initial shot
The initial shot

In the end Summer & Renee turned up right on time.  I had asked the models to bring a number of outfits so that we had a good variety. Renee brought a small suitcase while Summer only brought two (both of which were very similar). We selected initial outfits and the girls got changed. I had to ask Summer to go and change her bra because she had a purple one on under a white top.

In terms of preparation this was going to be a very easy shoot because no hair or makeup was required. I knew that it would require several images to be taken though and then composited together. Past experience in this area has taught me that when you plan to do this having the lighting, camera position and focal length consistent between all shots make it so much easier in post.

The staging for the shoot was very simple with a large fabric backdrop that extended onto the floor and covering a small platform for the girls to stand. The hangers were suspended on another backdrop support. Once the girls were in position we raised the support up to create the illusion that they were hanging from it.

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The illusion of being suspended

The main light was a large octobox set just left of the camera and high. The fill light was set camera right and down low. I was shooting tethered into a laptop with the camera mounted on a tripod.

Once we had the shots of the girls on the hangers we removed the platform and positioned two high backed chairs in a similar position to where each model has been standing. The girls then raised themselves up and I took the photo.

I had originally envisaged three models on the rack but  decided that there was room to shoot four so both Renee & Summer got changed and we repeated the process again.

Putting the images together was relatively simple process as the hem of the skirts provided a good point to merge the images. The hardest part was blending the backdrop and in future I will chose a material that is much more consistent in colour.

As often happens when you look at the images in post you realise that there was something that could have been done better during the shoot. In this case it was the realisation that the dress chosen for Summer in the second shot (orange) was actually hanging next to her in the first series. Fortunately colour is easily changed in photoshop.

The competition it is being entered into closes on August 13 so I still have a little time to tweek it further before then.

It was a very smooth shoot and it only took 40 minutes to get all the images we needed. Thanks to Renee, Summer and Alan for making it an enjoyable event.

 

 

 

 

 

An afternoon in the studio

Ashleigh-Jane Cole is a very talented young lady. Earlier this year she modelled for me at the waterfall and in the process made the length of fabric I was using into a dress. She won a designer award at the Trentham Racecourse Wellington Club and now in the process of recording her new album. Today she appeared live on a local radio station and performed all her own material, including one that she only finished just before going to air.

Yesterday she posted on Facebook and asked if any photographers were able to record the session for her. There is a major restructure going on at my paid work so the opportunity to take an afternoon off and do this was too much to resist. The studio is a fairly restricted place and so I knew that I could inly take the minimum about of gear and certainly no light stands. It gave me the perfect opportunity to test out the Rogue Flash Panel that my son bought me for my birthday & Christmas. It ended up being two presents because when the request went in we did not realise that it actually came in two pieces.

Despite there being little room to move around I was reasonably pleased with the results.AJ_Studio-2 AJ_Studio-10 AJ_Studio-16

Josh provided acoustic support
Josh provided acoustic support
Ashleigh-Jane and Anita
Ashleigh-Jane and Anita

A photographic journey