Category Archives: Models

Kasey

The schedule for the Great Trentham collaboration was split into two groups each day with eight photographers in each. There were eight slots allocated to shoots, and seven to makeup. In the two weeks leading up to the event the various designers associated with it posted images of outfits that they would have available. This generated discussion between the models and photographers and lead to outfits being booked for various sessions.

I took a very relaxed approach and I let my models book their own outfits.

The first shoot in Group 2 started at 9 o’clock. This meant that the model did not have time to go through makeup and had to arrive already made up.

My first shoot on day one was with Kasey. She had selected an Egyptian outfit made by Charlotte Kelleher of CKfilmDesign. The outfit consistent of several parts and therefore we needed to assistance of Paul Irving.

As the morning was cloudy I decided it was a perfect opportunity to head to the roof of the grandstand which is essentially an open air seating area. I took a series of images in a different styles of the outfit including static and walking shots. I also had a play with my lensbaby composer lens. Unfortunately there is an issue with this lens on my the D600 in that the camera cannot control the aperture and so all shooting is wide open at f2.8.

At the end of the shoot we moved indoors and I used a white screen setup to shoot some images that I may look at using in composites later on.

I’m really pleased with the images although later in the day I would have probably chosen a different location, but that is always the way when you start early.

I hope to be able to shoot with Kasey again.

The Great Trentham Collaboration 2017

 

Model: MUA: Outfit:
Model & MUA: Kasey Ooman
Outfit: CKFilmDesign

I have just had the most amazing two days of photography at what was called the Great Trentham Collaboration. Two Wellington photographer Shonty Rogan and Paul Maka organised a two day event that brought together 24 photographers and models, a dozen makeup artists, and six fashion designers, with clothes ranging from street wear to costumes. This was the second year that it had been run but this year was much bigger than before.

Model: MUA: Outfit:
Model: Jordan Carlton
MUA:Charlie Timmins
Outfit: Evem

It was held at the Trentham Racecourse which is a very large complex with a multitude of rooms and areas to shoot in. It was so big that despite 12 photographers shooting at the same time there was very little competition for space, and when there was that was easily managed. We were originally told that we had full access to both of the grandstands but on the day the security guard needed to unlock the members stand was sick and so we only had the old grandstand to play in. I doubt that that caused much of an issue to anyone.

Model: MUA: Outfit:
Model: Jordan Carlton
MUA:Charlie Timmins
Outfit: Evem

The old grandstand is four stories high including an amazing adandoned attic space, that practically everyone used at one stage. The windows faced the afternoon sun so were perfect for natural light, while other spaces were with easy reach of power supplies. All in all it was a great location.

Model: MUA: Outfit:
Model: Ashleigh-Jane Cole
MUA: Eden Gibbons
Outfit:Deranged

The photographers were broken into two groups and each day was split into 4 1.25 hours shooting session. So at any one time 12 photographers and models were shooting, 12 photographers were on break downloading their images from the previous shoot, and 12 models were in makeup.

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Model: Moana Lambert  MUA: Outfit: CKFilmDesign

The two days went very smoothly with the only glitches being caused by models not being available due to illness. All photographers stuck to their allocated times and while the makeup in some cases took longer than allowed the time allocated for the photography was sufficient to make up the time.

Model: Olyvia Mayhew Mask: Black Widow Fascinations
Model: Olyvia Mayhew
Mask: Black Widow Fascinators

It was a true collaboration of everyone’s effort with photographers also helping each other out either my being assistants or in allowing their gear or sets to be set up.

Model: Hayley Bush MUA: Outfit:
Model: Hayley Bush
MUA:Wikitoria Tahuoarae
Outfit:Dress Deranged Headpiece Black Widow Fascinators

I have recently taken to wearing a fitbit and it told me that over the two days I walked nearly 33 kilometers, at lot of which was going between floors. It is no wonder that my legs were sore at the end of the weekend.

Model: MUA: Outfit:
Model: Jess Baider
MUA: Vanessa Forlong
Outfit: Metal and Hide
Model: MUA: Outfit:
Model: Jess Baider
MUA: Vanessa Forlong
Outfit: Dress – Evem Headpiece Black Widow Fascinators

I have quite a lot of photos to process and keeping in my previous practise I will post about each separate session so that I can profile the images.

Model: Jess Boyack MUA: Outfit:
Model: Jess Boyack
MUA: Lucy Penrise

Cheyenne and Hine on a wet day

chy-hine-1I shot Chyenne and Hine earlier in the year and at the time Chyenne agreed to come back later in the year and complete a series of bodyscapes. When setting these upshe also asked to do an outdoor shoot based on a couple of images she had seen on pinterest. These involved outdoor caravans, deck chairs, sunglasses and sunshine.

While Saturday morning dawned fine, the day got progressively worst and by the time of the shoot rain had settled in. However one of the sites she had suggested to shoot at is the remnants of long gone petrol station, and it still has the covers in place over where the pumps were. This meant that we could shoot there without getting too wet.

It is great when you can move the model into the rain but still stay dry yourself.
It is great when you can move the model into the rain but still stay dry yourself.

Down the road from the site there are some major drainage works and the contractor is using part of it to park their trucks. That gave up some great backdrops for the images.

chy-hine-3 chy-hine-4 chy-hine-5 chy-hine-6We are planning of doing another shoot early next year when we know the weather will be better.

Hannah at the bunker

lr20161203-36Hannah is a young model who was looking to expand her portfolio. Kristy recenty graduated from Weltec’s makeup school and was also looking to colaborate for her portfolio. We arranged to do a fashion and lingerie shoot at the Palmer Head gun emplacement.

Over the last 10 years of shooting models I have been pretty lucky that just about every shoot has been an enjoyable experience. Unfortunately I could not rate this among them due to a whole string of issues that seemed to plague it.

The shoot was originally planned for the Saturday November 27th, and as all parties lived in the Hutt Valley I arranegd to meet them and then go in a single car. I was supposed to be picking them up at 4:00pm and figured that with travel and makeup we would start shoooting around 5:30pm. I was not too worried about the time of day as it was going to be light until at least 8pm and there was the promise of a period of golden light.

Unfortunatley Hannah cancelled 50 minutes before her pickup time, by which time I was already on my way. She had run into an issue with babysitting and so we rescheduled for the following Saturday.

lr20161203-19The day before the second shoot day there was a drama that could easily make a soap opera script when she hadn’t replied to either a facebook or text message I had sent. Based on some other posts i had seen her make on Facebook I assumed it was not on and so arranged with a second model. When she finally confirmed I had to change the arrangements with the second model.

Then on the day of the rescheduled shoot she arrived 50 minutes later than originally planned at the pickup point. This meant that we started a lot later than planned. While the day had started out fine and calm but by the time we got to the bunker cloud kept coming in and out and the wind had picked up to the point where Kristy was struggling with the makeup. The temperature had also dropped and so the location was turning into a not too pleasant place to be.

We worked through the series of clothes shoots, as I figured this would be a good way for her to relax before we moved onto the lingerie. While this sort of worked the wind and the light made shooting difficult.

Kristy gets Hannah ready for the shoot
Kristy gets Hannah ready for the shoot

I had assumed that shooting so late in the day we would have the site pretty much to ourselves. We had a couple of people walk through while makeup was being done but that did not cause us any grief. But no sooner as Hannah got into the first lingerie outfit then a family arrived at the site, along with a bunch of preteen boys. The family did not stay long but the boys hung around. That meant that we had to stay in one very dark room which was not what I had in mind.

I could see that Hannah was clearly nervous with the presence of the boys and was also getting quite cold. When my flash starting misfiring I decided to call it quits. There was no point in trying any further.

lr20161203-38Hannah has asked to shoot again in the new year. Hopefully that shoot will run more smoothly.

Playing with new toys

On Thursday night I attended a product launch hosted by Wellington Photographic Supplies who have become the local agent for Profoto lights. Sean from WPS and Greg from CRKennedy (the New Zealand distributors) has brought down both models of battery powered lights in the Profoto range.

Now I have often seen these lights used in the videos but it was a real treat to be able to use them in action. While I had my own camera there I also jumped at the opportunity to play with a D800E. The lights use TTL so it was quite interesting to see how they would perform as personally I shoot with lights on manual.

We shot down on the Wellington waterfront with the love Laura. It was a great time.

While I would love to own a set of these babies the reality is that they fall into the “when i win lotto’ category.

This was shot full TTL
This was shot full TTL in aperture priority. As such the camera knew that a flash was in play and set the shutter speed at 1/60s
laura-5
This is a more traditional image bringing out the model from the background. The sky was much lighter than shown in the image but I had the camera set at f14.
laura-7
As the lights had the ability of high speed I thought I would give it a try. This was shot in manual at 1/1250s F4. It is still maybe a little overexposed, but given of my other lights can shoot anything about 1/200s I am happy.

 

Dance & Movement shoot with Hayley

dance-2When I posted the images from my previous movement session online, I got an instant response to the images, and other dancers wanting to take part. Hayley introduced herself as a Salsa dancer who had a number of flowing dresses, so we set up a time to shoot.

I used the same hall as for my earlier shoot, however having learned from the first session, and reviewing a different YouTube clip, I made a couple of changes. The most notable were to make sure I had a second light bank and a much bigger (and taller) backdrop. The new lights were two Interfit continuous lights borrowed from a fellow photographer at work. While not being particularly strong they were more than adequate for the long exposure work. I used a small light stand and boom arm to set them one on top of the other giving me an effective stripbox. I had them positioned behind a large reflector so their light was fairly concentrated. The diagram below shows the layout.

dance-layoutIn these circumstances you have to work solely in manual and therefore the first shots are generally trial and error. Focusing is also on manual by selecting a spot roughly equivalent to where she would be when the flash fired. Given that the camera was set at f11 I knew that there was a degree of flexibility in the depth of field.

I initially had the computer tethered to a laptop as this made showing the images to Hayley a lot easier. Unfortunately it is fairly old and struggled to keep up so ended up being ditched. Tethered shooting is really good when it works but can be frustrating when it plays up.

Hayley had a number of outfits which we moved through. He initially one ended up only being used for the test shots as it was blending too much in the background. The lighter coloured dresses worked best, although the speed that Hayley was dancing did cause some issues. With long exposures if the subject is moving quickly then rather than a blur, they simply disappear. Trying to find the right balance in the speed was important.

dance-1At one point we placed a red gell over the continuous light to see what effect that would make, especially when she was wearing a white outfit. I would rate this has been only marginally successful. When Hayley was over by the gelled light the red came through strongly but it was too far away for the main light to be fully effective. When she was closer to the main light the colour was essentially bleached out by its strength.

dance-6I then moved to a series of shots using lengths of fabric and a fan to add the movement. Hayley added to these by playing with the fabric in the air and the results from these images are really good.

dance-3 dance-4Towards the end of the shoot I changed tack and tried to get the images that would essentially freeze the action. Leaving the existing lights in place I introduced a third lights which I shot into a large silver umbrella. The shutter speed when then put up to maximum sync speed and I shot some images of Hayley jumping.

dance-7

Arelle at the bunker

Arelle approached me via Facebook after seeing some of my earlier work. We arranged to do a shoot in Wellington and I decided to try out a new location of the gun emplacements at the top of Brooklyn Hill. Anyone who has looked at previous blog posts will know that I like shooting in locations that have a lot of street art. Unfortunately my favourite location has had all of the art painted over with grey paint.

The gum emplacement on Brooklyn are more open to the elements which makes them somewhat risky for a winters day. As it turned out it was a clear blu sky day which in winter produces some quite nice light.

LRArelle-3642

The one disadvantage with the location is that it is a little walk from where you can park a car so by necessarity it meant taking minimal gear. For lighting I took a speed light with a shoot through umbrella and also the new Lume Cube that I had bought. This is a small constant light.

I have to admit that by the time I got up there I realised how unfit I was.

LRArelle-3672
There are several chambers in the complex that I suspect were used to store ammunition. This image was lit with the flash and umbrella
LRArelle-3694
I noticed some interesting images on the wall so I positioned Arelle in front of. This image was lit with the lime cube.
LRArelle-3761
This mage used to sun as a backlight with flash as fill
LRArelle-3788
We climbed onto the roof of the complex and used the red fabric which the wind picked up

 

 

 

 

 

Saturday afternoon at the racecourse

Cheyenne is an Upper Hutt model who posted on Facebook that she wanted to update her portfolio. We met and agreed to do two shoots. The first was a location fashion shoot which we decided would be in the grounds of Trentham Racecourse.

Now location shooting is okay but it has a major drawback that you are reliant on the weather gods playing ball. All through the week the forecasts had not been promising with rain and strong winds predicted.

I knew that the racecourse did provide opportunities for shelter should be rain arrive. Fortunately it did not and we were able to use a number of locations for different looks.

While most of the shots were natural light I did try out my new Lume Cube aimed at a golden reflector to try to introduce some golden light into the images.

Chy-LR160625-3445
I loved how the tones of Cheyenne’s top matched in with the autumn leaves. The Lume Cube was aimed at a large reflector to give the slightest hint of natural light.
Chy-LR160625-3505
We shot this image against the sky which caused the metering to fail completely. Using bare flash however was giving a much too hard light so I used by hand as a bunch on top of the flash.

Chy had asked if she could bring along a friend. Now I know lots of photographers do not allow this but I have no problems. Hine was a really good sort and found it very amusing when I said that she had an important role as a Voice Activated Light Stand (VALS).

Chy-LR160625-3524
A change of costume and a different location for a different look. In this case lighting  was mainly flash using a shoot through umbrella. 
Hine-LR160625-3562
If you tag along to a shoot in full makeup then you can expect that I will get you in front of the camera as well.Fortunately Hine didn’t seem to mind.

Sunday night group shoot

If you have looked around my portfolio you will see that I mainly shoot models one at a time, but occasionally I like the challenge of shooting a group. Last Sunday’s shoot was one such occasion.

I had met Stacey a couple of years ago and when she posted on Facebook that she wanted to update her profile and try a few things we met up and set up a time. She then recruited two friends to come along.

Now Stacey is very confident in front of the camera, her friend were not, and in fact Kari told me that she hated most pictures that were taken of her. That certainly presented a challenge but by the end of the evening I think I had not only risen to the challenge but had overcome it.

The shoot took place in a studio in Upper Hutt with the main lighting coming from my Westcott 7 foot parabolic umbrella. The more I use this light the more that I love it.

Stacey wanted some low light silhouettes so we started with those.
Stacey wanted some low light silhouettes so we started with those.
We moved a leather couch onto the set and used that. Kari (rear) quite liked this set up as she could effectively hide.
We moved a leather couch onto the set and used that. Kari (rear) quite liked this set up as she could effectively hide.
The girls outfits immediately brought to mind the old cartoons with the angel and demon conscious.
The girls outfits immediately brought to mind the old cartoons with the angel and demon conscious.
Jaica rocking a simple length of fabric aided with a large fan
Jaica rocking a simple length of fabric aided with a large fan
Kari in rich velvet fabric
Kari in rich velvet fabric
Stacey having fun with the red metallic fabric
Stacey having fun with the red metallic fabric

Playing with light (NSFW)

A couple of weeks ago I did an interesting shoot with a model by the name of Wellington. She wanted to do a series that involved clocks so I suggested the ideal of cooks and gears projected on the body.

She loved the idea and we set it up at a local studio that had a large room. I obtained a series of images and we used a data projector to project the images onto her. The camera was set on a tripod and the only light came from the projector.

I was quite pleased with how the session went.

Lr-wellington-light-27 Lr-wellington-light-24 Lr-wellington-light-23 Lr-wellington-light-18 Lr-wellington-light-17 Lr-wellington-light-7 Lr-wellington-light-1