Shelley & Sam in the pool (NSFW)


When Shelley had first contacted me about shooting together, I had asked her to send me a series of images that showed what she was wanting to add to her portfolio. The set included several that had a water based element to them, and so we decided to shoot some in the paddling pool that I had used in previous occasions.


The advantage with the pool, over say a bath, is that there is more room in it, and particularly around it for shooting. I was also able to use the boom arm to position the camera immediately overhead. The disadvantage with the pool is that access to warm water is limited, and shooting this late in the year did mean that the water was cold. We therefore had to shoot fast to ensure that the girls did not end up with hyperthermia.

Under the original plan it was only going to be Shelley in the pool, but Sam agreed to join in as well, so we started with the lingerie that they had worn in the previous shoot. We added a small amount of flowers for effect and about a litre of milk to create the creaminess in the water.

Anyone who has seen my previous water shoots will know that I like the look of fabric drapes, so prior to the girls getting into the water both had chosen a length of fabric from my store.

So off came the wet lingerie and the fabrics were positioned.

All of these image were shot under natural light using two camera. My second one was my Nikon D600 with a 50mm lens at f1.4.

The entire shoot lasted about 8 minutes which was long enough, and both of the girls really enjoyed a hot drink and shower immediately afterwards.

Sam joins the shoot with Shelley

As I mentioned in my previous post (https://pwfotos.com/2019/03/17/shelley-in-lingerie/), Sam Moredo came out to our shoot to be the makeup artist. She is also a model and a dancer and many of her other recent shoots have involved a combination of the two.

Shelley had bought a range of lingerie with her and fortunately several of the pieces were from a similar set, so we talked Sam into taking part. While I shot the initial set with Shelley, Sam applied makeup in a similar style so that both girls were consistent.

By this stage the sun was really coming through and so I tried to place a large diffuser panel in its general directions to try to block some of it. This was partially successful. While the main light was still the Godox AD600 in the seven foot umbrella, I was finding that the light was a little uneven especially on Sam.

I initially tried to position a reflector to the left of the camera, and use the sun, but this was not working so I mounted a light on the other side of the fence and angled to to bounce off the reflector. At first this was done bare bulb, but that was creating too many shadows on the back wall, so I put it into a softbox so that I could control the spill better.

Shelley in lingerie

Shelley-Ann is a relatively new member of the Fashion Collective, who answered a casting call from me. We had arranged to do a series of shots and as the second one involved the use of my paddling pool, we started them all around my back yard. We roped in another member of the Fashion Creative, Sam Moredo to do the makeup for the shoot.

We have an area at the back of the section with a very large tree and our woodshed which provided a great location.

The weather for the whole day had been extremely changeable, with short runs of blue skies followed by rain. I initially started using my Godox speed light in a 24″ softbox for the initial shots but then brought in the Godox AD600 and out it in the seven foot Westcott umbrella. There was just enough room under the trees for it to fit.

Towards the end of this section of the shoot, the cloud decided to break and sunlight started to stream through resulting in very strong differences between light and shadow.

An apology

Over the last 12 months I have been pretty slack at posting to this blog, and I worked out this morning that there were at least 20 shoots in the period that have not been covered.

So over the next week I am going to make a concerted effort to bring the site up to date. The shoots will be added in no particular order.

In print again

This is another post that is a little overdue in being completed, but is part of my New Year resolution to get more content on the site.

The completed “Buzz at the Hive” image

Each year the Photographic Society of New Zealand publishes a hard copy book that profiles images submitted from its members. The number of submissions always exceed the available space so it is quite an achievement to get an image selected.  Each year the book includes a special section where your are asked to submit to a theme. The theme for the 2018 edition was “Kiwiana”.

For my overseas readers New Zealanders refer to themselves as “kiwis” (coming from our national bird and not the shorten version of kiwifruit). Kiwiana is a set of images that depict those things that we would instantly recognise as part of the culture.

When the theme was announced I know instantly what I wanted to submit. A classic Kiwi toy is a wooden pull-along called “Buzzy bee”, and our parliament building executive wing is called the Beehive. Therefore all I had to do was capturing buzz at the hive.

The Buzzy Bee

The process was relatively straight forward. I figured out the angle I wanted with the camera on a tripod and then shot a blank plate of the buildings. As I wanted the image reasonable in focus across a wide range the camera was set at f20. I had to take several images so i could remove the tourist who were milling around it.

The Parliament complex with the Beehive in the background

I had originally planned to attach the bee to a cross pole by way of fishing nylon, but my wife rightly pointed out that this would be very hard to control. We therefore settled on clamping it underneath to the boom pole. She then proceeded to wave the bee round as I took multiple shots.

Once back at the office I downloaded the images and then went through and worked out which worked best. It was then a relative simple matter of loading the images into a stack in Photoshop and masking out what I didn’t want. As the images had all been shot in the same location this was a relatively simple process with the only area requiring more work was were the pole had attached to the bee.

Then to make the image more realistic I add shadows to the ground under the bees closest to the camera.

I had high hopes that the image would be selected and was really pleased that it was. That made the third image selected over the years for the publication.

Pugs and strippers

Occasionally a job comes along that sounds to both have the potential for a lot of fun, but equally stressful.

Venus Star is a Wellington entrepreneur, who has a range of business ventures, one of which is organising male strip reviews. The original brief was to shoot the show on the Saturday night, and then on the Sunday to shoot the performers with a group of pugs.

As it turned out I had to pass over the show to another photographer but decided to keep the shoot with the boys and dogs.

Venus had booked a hall for the shoot, which I had not seen so it meant that the car was loaded with a while of gear just in case. As it turned out it had a large stage with black curtains at the back.

I set up three lights all in the row across the stage so that it would have fairly even lighting while the dogs raced around.

I thought that we may have had problems with the dogs but as it turned out they were really easy to deal with.

We shot both individual and group images with them, and the advantage of the lighting position was that I didn’t have to move them. This was a major bonus as it meant the whole shoot was fairly quick.

 

 

Back to the waterfall

It has been nearly three years since i made the trek up the Birchville dam track to my favourite waterfall. I would have to say that after the events if this shoot it is likely to be my last there, as the day turned up one issue after another.

I had some free time so I hooked up with Katy and we decided to do a shoot with various outfits and drapes. We got to the location on a beautiful day to discover a family already then and swimming in the hole at the base of the top waterfall. That meant that we had to go further down the hill and start shooting at the bottom.

I had decided to wear a pair of water shoes that had not been worn in a while and I had not realised that the rubber in them had perished. No sooner as  I started working out at the bottom then they started to fall apart. That meant for most of the shoot I had to struggle over rocks in bare feet.

The light in the lower area was very dappled and therefore it was a struggle to keep the highlights from blowing out while still having enough detail show up in the darker areas. In the end I positioned a flash set on high speed sync to add a bit more light to Katy’s place.

One of the fabrics we had brought was a 5m length of white lace so we decided to sit Katy on the rocks on the first level and drape it down and shoot it from above.

The pose and position was great but with the strong back lighting I could not see Katy’s face so I climbed up the rocks at the side to position the light on the same level as her. I was just about at the top when i branch i grabbed gave way and I fell about 2 metres onto rocks below hitting on the my right side just above the buttocks. The areas instantly swelled up but I continued to work through and get the shots.

By the time the family had left so we moved back up to the top and shot around the top waterfall. Fortunately I had been able to find out from them how deep the water was at the base of the fall so we were able to get Katy in fairly close.

We finished up with another material draped over the large rock at the top of the area.

Overall I was pleased with the results of the shoot. However over the next couple of days the bruising on my back really came in and it took nearly a fortnight for it not to be sore.

Witchy women

Earlier this year I took part for the second year running in the Great Trentham Collaboration (GTC). This is a two day event that brings together designers, hair & makeup artists, models and photographers.

For my shoot with Kafleen McKenzie we wanted to go with a witchy theme so we chose a black dress designed by Deranged fashion, with a headpiece designed by Nicola Robinson. Eden Gibbons then created a very wild look with the makeup.

We started the shoot in the area under the stairs of the old grandstand using a mixture of ambient and flash light. 

We then moved to a tangle of vines which created the first image above, but was a pain to extract from the tulle of the dress.

We finished up with a relatively simple shot in front of plain wall.

All wrapped up (NSFW)

By means that I won’t go into I came in my possession a whole lot of music tapes that were destined for landfill. So I thought could I use them in a shoot, and the answer was yes. Several nights of extracting the tapes gave me a large container full of them.

After the original model for the shoot bailed twice, I arranged to shoot with Verity. We started in the bathroom using the tape in place of water in the bath.

Then we moved out to a set I had created in the garage and shot a slightly different look starting with using the tape as a dress. It created a unique look, but probably not one for wearing in the wind.

I then changed it up and brought in some of the empty cassette cases.

Lighting for the bath shoot was a single godox strobe in a 24″ beauty dish. Lighting in the other location was a 7″ umbrella behind me to provide a base light and a beauty dish camera right.

Shoot out at the Dakota

Dakota-5Of of the great things about being part of a creative collective is that opportunities come about to shoot in unusual locations. This was the case of a shoot in a cowboy themed bar in Wellington. We were given the opportunity to spend several hours in there before the bar opened.

It was great working with models Rachel, Hayley and Michael both individually and together.

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Rachel

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Michael & Rachel

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Michael & Rachel

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Rachel rides the mechanical bull

Lighting for the series was mainly done with a single Godox AD600 strobe in a 24″ beauty dish.

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Rachel with a quick change

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Rachel & Hayley

A photographic journey