My previous post went into the setting up of the foil shoot so in this one I will only concentrate on the image itself. For the shoot I had decided that I want to incorporate an actual crab. Buying one was out of the question cost wise, however my wife mentioned that she thought her Aunt had a brass one. Turns out she was right and we picked up a very ornate brass crab that actually was a long unused ash tray.
For the set I needed to have several shot options available. While I had envisaged that it would be a landscape oriented image, I also shot several images portrait oriented with Sian both standing and kneeling. For these we didn’t need to modify the lighting in any way.
We then moved into the main shoot where I had envisaged Sian being covered by the crabs. The first step was to get her in position and then adjust the main light as she was now much lower than before. I also had to change my shooting angle to be much lower as well. As the final shot was to be composited together the camera was locked onto my tripod.
We stared with a shot with Sian with no crab on her, and then I took a number of images moving the crab around her.
Having all of the shots I now selected the ones that I wanted and loaded them as layers in Photoshop and then masked each layer so only the crab came through.
The star sign Cancer is governed by the moon so I went into the Lightroom catelogue and found some images I had taken of it. I then pulled some astro shots and put them all together. Because I had used a dark background and not lit it the masking between the foil and the stars was made somewhat easier. It was then a matter of changing the colours in the image to look like they were lit by the moon.
Overall I am really pleased with now the image came out as it was essentially how I have envisaged it. When I posted the image, I was expecting one my astro photographer friends to point out that you would not that level of stars on a moonlight night. Fortunately no one did.
Leo was the second staged shoot in my Zodiac sequence. I had a couple of concerts in mind with Luke was be my main model. In the first part of the shoot I used a mask I had bought online and with a strobe in a small reflector used it to cast a shadow on the wall. I then had Luke remove the mask and a second shot was taken. The two images were merged in Photoshop.
For the second shoot, I had also recruited two additional models Martina and David who were to play the parts of the unlucky staff being bailed out because of poor performance.
David forgot about the shoot which left me one person short. Fortunately the G9 has a phone app and so I was able to position myself in the shot and still fire the camera.
Lighting for this shot was a main fill light in a seven foot umbrella and a smaller gridded light focused on Luke.
I am currently working through a zodiac series with the ultimate aim of it being made into a set for submission for honours with the Photographic Society of New Zealand. It has been on the drawing board for a long time. To make the series more particular I am trying to recruit models that are actually the star signs that I am shooting. I was therefore really pleased when I discovered that twins Evie and Emily happened to be Geminis.
They are both fashion designers who have designed a lingerie range so it was an easy pick to ask them to wear black and white outfits.
The costuming allowed me to play with the notion of a split personality (good vs evil), and we made use of the mirrors in the studio. Then it was an easy photoshop masking to bring the images together.
I also wanted to look at the notion of Yin-Yang and the costume colours fitted well with that. I had them lay on the floor and boomed the camera overhead, under a large umbrella.
I has originally planned for them to be on a fake grass and I was going to surround them with bushed to make it look like they were in the womb. Unfortunately the grass could not be found, and my efforts to cut them out and place them on a real grass background did not look convincing so I ended up scrubbing the idea and giving the image a lot of texture in post processing.
The final image has done very well. It received honours in a club competition, was selected in the North Shore Salon and appeared in the 2019 issue of New Zealand Camera.