In a previous post I told you how I realised that I had an image that could work for Pisces, and that post centered around embellishing the image.
However as the set developed it became obvious that the image didn’t fit in with the others and that I needed to reshoot it. I therefore decided that I would have a model holding a bowl containing the fish.
My wife found a rather elaborate bowl and when she brought it home I decided to see how we would go about lighting it.
Shooting very reflective surfaces aways presents a challenge especially when you want to avoid the lights appearing in the image. When the surface is flat you can work out the angle of refraction and position the camera or light in such a way that it does not come into the lens. When the surface is curved it becomes a lot more difficult.
As I didn’t want to be mucking around when the model was there I set out to try various lighting patterns and see how they would work. I managed to get my wife to assist me which was a very rare occurrence.
My initial thought was to use the largest possible light source that I could so I put up the seven foot umbrella and boomed it out over top.
While this sort of worked, you could clearly see the inside of the umbrella shape in the glass, which was more dominant when the post process treatment was run over it. This arrangement was clearly not going to work.
Then later in the evening I had an idea and headed into the studio to try it out. By this stage I could not convince my wife to help so it was up to me with the camera on a tripod and a self timer. To ensure that I was going to the same position each time I placed a stool on the set. The glass bowl was placed on the stool and I lifted straight up from it.
I took the umbrella off and replaced with a speedlight in a gridded reflector aiming straight down into the glass. I initially tried it with just the single light and was reasonable happy that there was no reflection on the glass.
I then brought in two soft boxes to light the background. While this produced a good look I felt that there was not enough light on me.
To solve that problem I brought in another light in a gridded softbox and aimed it directly at me making sure that is did not fall on the glass.
The background light did catch in the edge of the bowl but I decided that I was ok with that as it added dimension to the image.
It was no time to find my new Pisces model, which turned out to be more difficult that I thought it would.