Tag Archives: competitions

Just Hanging Around

The finished image

The original inspiration for the shoot by Alessandra Favetto.
The original inspiration for the shoot by Alessandra Favetto.

Last Sunday I has a full day in a Lower Hutt studio to produce images that will be entered into national competitions. The first was inspired by an image I saw in the July issue of F11 magazine by Italian photographer Alessandra Favetto.

I has long held the view that models are often treated as mere clothes hangers, and so I knew that I could use the image as a base. However I wanted to have more than one person in the final image and to have the models hanging from a rack of some sort.

I posted the image in a modeling Facebook group and as I suspected got an immediate response. While I had initially thought that I would cast three models I ended up selecting five. Past experience from shoots had taught me that it was unlikely all five would make it to actual shoot day.

I also knew that the shot could be something that required assistance so I managed to elicit the help of fellow photographer Alan Raga.

As I suspected would happen, in the week leading up to the shoot one model discovered that the timing clashed with a family event and a second one sprained her wrist and ended up in plaster. A third model then failed to respond to any of the communications sent out in advance of the event, and simply didn’t show up on the day. This was exactly the issue that I had spoken about in my recent blog post on “Tips for models“.

The initial shot
The initial shot

In the end Summer & Renee turned up right on time.  I had asked the models to bring a number of outfits so that we had a good variety. Renee brought a small suitcase while Summer only brought two (both of which were very similar). We selected initial outfits and the girls got changed. I had to ask Summer to go and change her bra because she had a purple one on under a white top.

In terms of preparation this was going to be a very easy shoot because no hair or makeup was required. I knew that it would require several images to be taken though and then composited together. Past experience in this area has taught me that when you plan to do this having the lighting, camera position and focal length consistent between all shots make it so much easier in post.

The staging for the shoot was very simple with a large fabric backdrop that extended onto the floor and covering a small platform for the girls to stand. The hangers were suspended on another backdrop support. Once the girls were in position we raised the support up to create the illusion that they were hanging from it.

hanger-2
The illusion of being suspended

The main light was a large octobox set just left of the camera and high. The fill light was set camera right and down low. I was shooting tethered into a laptop with the camera mounted on a tripod.

Once we had the shots of the girls on the hangers we removed the platform and positioned two high backed chairs in a similar position to where each model has been standing. The girls then raised themselves up and I took the photo.

I had originally envisaged three models on the rack but  decided that there was room to shoot four so both Renee & Summer got changed and we repeated the process again.

Putting the images together was relatively simple process as the hem of the skirts provided a good point to merge the images. The hardest part was blending the backdrop and in future I will chose a material that is much more consistent in colour.

As often happens when you look at the images in post you realise that there was something that could have been done better during the shoot. In this case it was the realisation that the dress chosen for Summer in the second shot (orange) was actually hanging next to her in the first series. Fortunately colour is easily changed in photoshop.

The competition it is being entered into closes on August 13 so I still have a little time to tweek it further before then.

It was a very smooth shoot and it only took 40 minutes to get all the images we needed. Thanks to Renee, Summer and Alan for making it an enjoyable event.

 

 

 

 

 

Why do we seek to be judged?

In more ways than one last week was a very flat week photographically speaking. After spending the previous week wandering the streets of Melbourne I returned to Wellington with a cold. The weather all week was crap and so was my main work (as we are going through a restructure). It was therefore a real struggle to find the motivation each day to ensure that I shot the image for my “photo a day” challenge. It was therefore probably not a good week to have several images up for judging in the week, and my underlying mood probably resulting in feeling particular bad when the results came out.

First up was my Audio-Visual entry in the Tauranga AV competition and the results came out on Monday. I ended up getting nowhere, which I have written about in a previous blog entry, and are still waiting on some feedback from the judges.

Then on Tuesday night I had two images being judged in the Hutt Camera Club Ladder competition. The set topic was “wear & tear. Both images got an “accepted” grade which again was disappointing as I had hoped for higher. The judge was a local professional photography who admitted that he shot weddings and therefore was not overly qualified to judge other types of work. The images and the judged comments are shown below.

An old petrol pump that we found on the edge of the road. The judge thought that the crop was too tight and that he could not get the context that the pump was in.
An old petrol pump that we found on the edge of the road. The judge thought that the crop was too tight and that he could not get the context that the pump was in.
The old wharf at Patea. The judge couldn't work out what it was and thought that the leading lines created by it went nowhere
The old wharf at Patea. The judge couldn’t work out what it was and thought that the leading lines created by it went nowhere

Finally on Sunday I entered my “The Wolf Within” print to an image critiquing session of the Wellington branch on the New Zealand Institute of Professional Photographers (NZIPP) under the creative portrait category. NZIPP judge on a different way than used in camera clubs, or any competition run by the Photographic Society of New Zealand (PSNZ), so I was interested to see how the image would do there. The event was sponsored by Canon so it was a great opportunity to see what the image looked like on high quality paper. The Wellington group use the session as a lead in to the annual NZIPP Iris awards so many of the images were ones that the photographers were considering entering. The judges were aware of this therefore the amount of feedback received was actually greater than perhaps would have been if it had been an actual competition.

The image scored an average of 66 which was midway through the range considered to be of “professional standard”. I had hoped for a little more, but given that there were three very experienced judges and the comments made about the image the mark was probably accurate.

The Wolf Within - The judges did not like the texture applied to the image. They thought the red in the eyes should have not been applied to both eyes. That as the wolf is normally evil that it should have been in shadow rather than in light, and that I should have removed the bright line on the left of the image.
The Wolf Within – The judges did not like the texture applied to the image. They thought the red in the eyes should have not been applied to both eyes. That as the wolf is normally evil that it should have been in shadow rather than in light, and that I should have removed the bright line on the left of the image.

At the end of the week I felt really down about the standard of my work and I really questioned why I had bothered to subject myself to this process.

After consideration I decided that you need to invite such critique if you are to advance in photography because in it, like life in general, we learn so much more from our mistakes than our successes.

From the judging at club

  • I need to look at whether the photo has sufficient information in it to satisfy the viewer
  • If an image has strong leading lines make sure that they lead to something important

From the NZIPP judging

  • Make sure that your lighting will not cause confusion with the viewer
  • When applying textures make sure that they actually add to the image
  • If the rules allow for the use of photoshop then use it to remove any and all elements in the image that may distract.