The third shoot on day one of the Great Trentham Collaboration was with Ashley-Jane Cole. I had shot AJ three years previously at the waterfall in Upper Hutt and again when she was at a recording studio as she is a very talented singer/songwriter.
AJ had chosen a swing dress from Deranged, which styled up for a ballet theme. Her makeup was done by Eden Gibbons.
On the upper level of grandstand was a cafe with a Fence look so I made up of a large mural for my first set of images.
We then moved up in the attic area where the large windows surrounded with wines provided plenty of great light and interesting backgrounds
We then moved to the outside and particularly around the base of the vines that encase the building.
The second shoot on day one of the Great Trentham Collaboration what’s with Jordan. Unlike Kasey, Jordan had spent the previous hour in hair and makeup with MUA Charlie Timmins.
She had chosen two outlets from Wellington designer Evem. Unlike my first shoot of the morning, this time we moved around the racecourse. We started in a small space that I have discovered behind the make up room they have good natural light and a piano and us I thought it would make it interesting start.
We then moved outside and into an area this that is used on race day to stable the horses just before they come into the birdcage at the start of the race. Jordan does pole fitness and so she had no problem climbing up in the staples for a number of shots.
We then moved around the course and shot in a pavilion that is quite often used for outdoor weddings.
And then into an area that is immediately in front of the old grandstand. On our walk-through of the venue the week before I have noticed a old piano in the area and thought that this would be a great prop. As it turned out when we first arrived it was being used buy another photographer. So we moved a little further down and again Jordan showed her gymnastic ability.
I been noticed a number of windows and thoughts that we might be able to capture reflections on them. This was true however the glass had the remnants of sticky tape on it which I could not remove. Fortunately photoshop can.
For my final shot we moved a large gate in-place and Jordan made out that she was trapped.
The schedule for the Great Trentham collaboration was split into two groups each day with eight photographers in each. There were eight slots allocated to shoots, and seven to makeup. In the two weeks leading up to the event the various designers associated with it posted images of outfits that they would have available. This generated discussion between the models and photographers and lead to outfits being booked for various sessions.
I took a very relaxed approach and I let my models book their own outfits.
The first shoot in Group 2 started at 9 o’clock. This meant that the model did not have time to go through makeup and had to arrive already made up.
My first shoot on day one was with Kasey. She had selected an Egyptian outfit made by Charlotte Kelleher of CKfilmDesign. The outfit consistent of several parts and therefore we needed to assistance of Paul Irving.
As the morning was cloudy I decided it was a perfect opportunity to head to the roof of the grandstand which is essentially an open air seating area. I took a series of images in a different styles of the outfit including static and walking shots. I also had a play with my lensbaby composer lens. Unfortunately there is an issue with this lens on my the D600 in that the camera cannot control the aperture and so all shooting is wide open at f2.8.
At the end of the shoot we moved indoors and I used a white screen setup to shoot some images that I may look at using in composites later on.
I’m really pleased with the images although later in the day I would have probably chosen a different location, but that is always the way when you start early.
I have just had the most amazing two days of photography at what was called the Great Trentham Collaboration. Two Wellington photographer Shonty Rogan and Paul Maka organised a two day event that brought together 24 photographers and models, a dozen makeup artists, and six fashion designers, with clothes ranging from street wear to costumes. This was the second year that it had been run but this year was much bigger than before.
It was held at the Trentham Racecourse which is a very large complex with a multitude of rooms and areas to shoot in. It was so big that despite 12 photographers shooting at the same time there was very little competition for space, and when there was that was easily managed. We were originally told that we had full access to both of the grandstands but on the day the security guard needed to unlock the members stand was sick and so we only had the old grandstand to play in. I doubt that that caused much of an issue to anyone.
The old grandstand is four stories high including an amazing adandoned attic space, that practically everyone used at one stage. The windows faced the afternoon sun so were perfect for natural light, while other spaces were with easy reach of power supplies. All in all it was a great location.
The photographers were broken into two groups and each day was split into 4 1.25 hours shooting session. So at any one time 12 photographers and models were shooting, 12 photographers were on break downloading their images from the previous shoot, and 12 models were in makeup.
The two days went very smoothly with the only glitches being caused by models not being available due to illness. All photographers stuck to their allocated times and while the makeup in some cases took longer than allowed the time allocated for the photography was sufficient to make up the time.
It was a true collaboration of everyone’s effort with photographers also helping each other out either my being assistants or in allowing their gear or sets to be set up.
I have recently taken to wearing a fitbit and it told me that over the two days I walked nearly 33 kilometers, at lot of which was going between floors. It is no wonder that my legs were sore at the end of the weekend.
I have quite a lot of photos to process and keeping in my previous practise I will post about each separate session so that I can profile the images.