This is the second post that is going behind a composite image that I will be shooting next weekend. The first part can be found in this post. Due to the earthquake that Wellington had on Friday I had an unexpected day of work so it provided me with the perfect opportunity to sort out the background for my image.
No ideally the whole image would be shot on location but as I will be using gelled strobes as the main light, and I don’t have a portable power pack, I am somewhat limited to a location within reach of an extension lead and power socket.
I have decided that a tree at the bottom of our garden would be a base but as you can see the background is not that attractive.
We do live close to a park and so that enabled me to locate a suitable background. In order to try to replicate the light conditions I went out at the exactly the same time as the shoot will be.
Now the key to a good composite is consistency so I put a 50mm on the camera and found the distance from the tree that I thought would best frame the subject. I did this from two locations as I am not sure at this whether a head one or a side image is going to give me the best result.
I noted that when I was head on to the tree that the Sun was directly overly my left shoulder and when I was lined up for the side view it was directly behind me. This will be useful for Sunday should the day prove to be cloudy, as it will give a direction to place the main light.
Once I got to park I tried to locate a suitable tree that would be the base of the background and then angled myself to it based on the Sun. The first two were not ideal as there were distracting items in the background.
I eventually settled on a suitable tree, and measured out the desired distance and set the camera on the tripod. I was using the tripod because this meant that the angles that I would be shooting would be consistent.
The test shot revealed a problem with a road behind, in that cars were appearing in the shot. I therefore had to make sure that I could see gaps in the traffic before clicking the shutter.
When I am shooting with lights I tend to shoot around F9 but as I am not sure what setting I will be using on Sunday I set the camera in Aperture priority and I took a range of shots at different f-stops from 5.6 to 9. I also rotated the camera and took a similar range in portrait mode. This means that I can match the focal lengths between the ones shot with the model and my replacement backgrounds.
Next weekend I am going to be shooting the final images for a competition in October and while I will show you the final result once it was finished, I thought I would also share some of the pre-shoot preparation.
In my final image elements will be flying out of a book and I wanted a burst of light to accompany them. This will be done using a speedlight to provide that part of the light and Cokin filters to colour it. My daughter was roped in to be my model for the day.
The final results are still a little hot but I was not worried about that. I now have a good starting point to tweak them on the day of the shoot. Plus these shots were taken inside on a dull day, when the actual shoot will be outside so the natural light will have a greater influence as well.
This morning I ended up with time to kill in Porirua. I had to pick up a Trade-Me purchase before 8:30am but the shop I also wanted to visit didn’t open till 9:00am. So i decided to take the camera and see what I could capture. Unfortunately the light was not that great.
First stop was the boat sheds at the entrance of the inlet. People are not supposed to live in them but some look pretty set up with full plumbing and even vegetables growing.
I then made my way to the seaward side of State Highway one and down the marina and Ngatitoa park.
Yesterday I decided to attend a workshop on Portrait photography being run by Alan Raga. As I quite often end up teaching other people this aspect of photography it was good to be able to kick back and enjoy the session. More particularly to try out a large Octobox softbox and a gridded beauty dish.
Our model for the day was the lovely Jess.
She moved effortlessly for one pose to another but I decided that I wanted something a little bit different and that movement. As she had beautiful long hair I knew that the answer was to get it to move.
In my own studio I have a fan to do but a reflector and a willing assistant will get you half way there.
Wanting more movement still I had she twist at the waist and then release as I pressed the shutter. I am very happy with the result.
In December last year I read an online article about a US photographer who discovered that an artist had painted some of his photographs and was selling them in a gallery. As the price being asked was $US4,000 we are not exactly talking about chicken feed. Now in this case there was no question that the painter had copied the photos because several of the images involved exact replicas of photos of people wearing bunny ears. (You can find the article here).
This was clearly wrong, but it does raise the question is copying always wrong and when does it cross the line from being referred to as inspiration.
I believe that Inspiration is where you take something as an idea and then develop it and try to put your style on it. Copying is where you reproduce an image whether in totality or a major part of it.
In my opinion “copying” is only okay if you are using it to practise ideas and techniques, as long as you do not then claim to have created the final image yourself.
In fact this concept is quite old. The masters of painting all practised as apprentices by copying the works of their masters and those that have gone before them. Pablo Picasso produced some amazing copies of old masters when he was in his teens that are a million miles away from the cubist style that he would become famous for. In fact Picasso said “good artists copy, great artists steal”.
This has been taken to mean that you take something that someone else has done and then build on it. The source of the inspiration does not need to be in the same field of art. When we visited the Melbourne Art Gallery I say a small porcelain statute.
The Petone Winter Carnival has been going for 7 years but for some reason it always seemed to clash with other things I had to do so this was the first year that I have managed to attend.
It is a combination of activities that run from mid day and concludes with a fireworks display. It also includes a fire event where groups build sculptures during the day and at night they are set alight. I am not sure about the wisdom of some groups who placed fireworks inside their creations and I am sure that quite a few jackets suffered damage from the flying embers.
The original forecast for the day was rain but as luck would have it the conditions ended up being perfect.
Shooting in falling light is always a great challenge. Shooting burning objects has its own challenges as well as you go from little to too much light very quickly. And then there are fireworks that present their own issues.
To get a taste of the event I have chosen a simple selection of images
Last night saw the final of the Wellington Interclub Photographic Competition. Each of the six clubs in the Wellington region submits an image into each of the ten categories that have been chosen by the hosting club.
I am always very keen on this competition and I take entry fairly seriously. As a result the Hutt Club selected my images to represent it in 5 categories (Contained, Eggs, Mysterious, Reaching and Terraced).
I was quite pleased that my image in “Reaching” won it’s category, especially as this was the only one of the five images that had been shot specifically for the 2013 competition.
The image was shot in a friends garage with a single gridded strobe boomed out from a mezzanine floor.
My image in the “contained’ section came second in its category with the judge commentating that he wondered how our minds worked.
My other three images performed much worse than I would have liked but the competition was of a very high standard.